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Jackson during a dance step in the music video for "Beat It" The music video for "Beat It" helped establish Jackson as an international pop icon. [11] [42] The video was Jackson's first treatment of black youth and the streets. Both "Beat It" and "Thriller" are notable for their "mass choreography" of synchronized dancers, a Jackson trademark. [43]
List of music videos during the 1970s Title Year Other performer(s) credited Director(s) Description Ref(s) "Don't Stop 'Til You Get Enough" 1979 None Nick Saxton: The singer's first music video as a solo artist shows a smiling Jackson dancing and singing "Don't Stop 'Til You Get Enough" in a black and white tuxedo with a black bow tie while appearing chroma keyed over a background of abstract ...
Robert Nicholas Giraldi (born January 17, 1939) is an American filmmaker, music video and commercial director, educator, and restaurateur. He is known for directing the film Dinner Rush (2000) and the music video for Michael Jackson's "Beat It" (1983). Giraldi has been inducted into the Art Director's Hall of Fame, one of the few film directors ...
The sheer scale of Michael Jackson’s fame can sometimes overshadow the music itself. From the moment he danced into America’s hearts as the 11-year-old lead singer of the Jackson 5 on their ...
In the same year, The Making of Michael Jackson's Thriller, a documentary about the music video, won a Grammy for Best Music Video (Longform). [59] Time described Jackson's influence at that point as "star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade.
On November 14, Sony Music released the 4K version of Jackson's "Beat It" music video on YouTube. [16] A 4K remaster of the "Thriller" short film also appeared on iTunes and Tidal, though it was removed shortly after. On November 17, the 4K remastered "Thriller" short film was released on YouTube.
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Media studies academic Jaap Kooijman writes that, although the moonwalk was an additional element in his routine at Motown 25, Jackson's replication of his dancing from the already popular "Billie Jean" music video presented a new phenomenon whereby a concert performance involved re-creating a video sequence and the music, including live vocals ...