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The poet Hesiod presents a folk etymology of the name Pegasus as derived from πηγή pēgē 'spring, well', referring to "the pegai of Okeanos, where he was born". [ 1 ] A proposed etymology of the name is Luwian pihassas 'lightning', and Pihassassi , a local Luwian- Hittite name in southern Cilicia of a weather deity associated with thunder ...
The Tetragrammaton YHWH, the name of God written in the Hebrew alphabet, All Saints Church, Nyköping, Sweden Names of God at John Knox House: "θεός, DEUS, GOD.". The Bible usually uses the name of God in the singular (e.g. Ex. 20:7 or Ps. 8:1), generally using the terms in a very general sense rather than referring to any special designation of God. [1]
Árvakr and Alsviðr, horses that pull Sól's chariot [1] Blóðughófi, Freyr's horse [2] Falhófnir, a horse of the gods [3] Glað, a horse of the gods [4] Glær, a horse listed in both the Grímnismál and Gylfaginning [5] Grani, the horse of Sigurð [6] Gulltoppr, the horse of Heimdallr [7] Gyllir, a horse whose name translates to "the ...
Deities depicted as horses or whose myths and iconography are associated with the horse. Subcategories This category has the following 5 subcategories, out of 5 total.
Many myths, particularly from the Near East, feature a God who dies and is resurrected; this figure is sometimes called the "dying god". [53] [54] [55] An important study of this figure is James George Frazer's The Golden Bough, which traces the dying God theme through a large number of myths. [56] The dying God is often associated with fertility.
[52] [53] The Bible usually uses the name of God in the singular (e.g., Exodus 20:7 [54] or Psalms 8:1), [55] generally using the terms in a very general sense rather than referring to any special designation of God. [56] However, general references to the name of God may branch to other special forms which express his multifaceted attributes. [56]
The Horses of Neptune, illustration by Walter Crane, 1893.. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
The iconic image of the god or hero on horseback battling the chthonic serpent, on which his horse tramples, appears on Celtic votive columns, and with the coming of Christianity it was easily transformed into the image of Saint George and the Dragon, whose earliest known depictions are from tenth- and eleventh-century Cappadocia and eleventh ...