Search results
Results from the WOW.Com Content Network
The "universal genius" Leonardo da Vinci further perfected the aspects of pictorial art (lighting, linear and atmospheric perspective, anatomy, foreshortening, and characterisation) that had preoccupied artists of the Early Renaissance in a lifetime of studying and meticulously recording his observations of the natural world.
The French Renaissance was the cultural and artistic movement in France between the 15th and early 17th centuries. The period is associated with the pan-European [1] Renaissance, a word first used by the French historian Jules Michelet to define the artistic and cultural "rebirth" of Europe.
It represents a symbol of the world being rebuilt after the Second World War. Above the dark sinister colours at the bottom different images in bright colours symbolizing the hope for a better future are depicted. Equality is symbolized by a group of people weighing out grain for all to share. [7] Sculptor Xu Bing
The Germanic goddess Eostre, whose themes are fertility and rebirth, is often surrounded by hares in art. In Christianity, white rabbits are considered to be symbols of rebirth and fertility and are seen on a wing of the high altar in Freiburg Minster, where they are playing at the feet of two pregnant women, Mary and Elizabeth.
In non-religious art of the modern era, the rabbit appears in the same context as in antiquity: as prey for the hunter, or representing spring or autumn, as well as an attribute of Venus and a symbol of physical love. In cycles of the Labours of the Months, rabbits frequently appear in the spring months.
Baroque – 1600 – 1730, began in Rome . Dutch Golden Age painting – 1585 – 1702; Flemish Baroque painting – 1585 – 1700; Caravaggisti – 1590 – 1650; Rococo – 1720 – 1780, began in France
tassii/Getty Images. This name of Arabic origin has a fierce sound and a soft meaning of “beautiful and lovely.” 21. Masha. Not to be confused with Marsha, this one is a Russian diminutive of ...
A foliate head in the shape of an acanthus leaf: a corbel supporting the Bamberg Horseman, Bamberg Cathedral, Germany, early 13th century. The Green Man, also known as a foliate head, [1] is a motif in architecture and art, of a face made of, or completely surrounded by, foliage, which normally spreads out from the centre of the face. [2]