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Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
The Pole of Sag̱aw̓een was carved by Oyee to commemorate Chief Sag̱aw̓een from the Eagle tribe (Gitlaxluuks clan). At 81 feet (25 m) tall, this pole is the tallest pole carved on the Nass River. It stood in the village of Gitiks alongside two other Eagle poles: first, the Eagle's Nest Pole, and later in 1885, joined by the Halibut Pole of Laay.
The Seattle Center Totem is a 1970 totem pole carved by Duane Pasco, Victor Mowatt, and Earl Muldon, installed at Seattle Center in the U.S. state of Washington. The 30-foot-tall totem depicts a hawk, a bear holding a salmon, a raven, and a killer whale. [1] The work was funded by the Seattle Arts Commission. [2]
The term "token" has replaced "totem" in some areas. [8] In some cases, such as the Yuin of coastal New South Wales, a person may have multiple totems of different types (personal, family or clan, gender, tribal and ceremonial). [6] The lakinyeri or clans of the Ngarrindjeri were each associated with one or two plant or animal totems, called ...
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Kwanusila is a 12.2 meter (40 foot) tall totem pole carved from red cedar. It stands in Lincoln Park at Addison Street just east of Lake Shore Drive in the Lake View neighborhood of Chicago, Illinois. The colorfully painted totems include a grimacing sea monster at the bottom, a man riding a whale above it, and Kwanusila the Thunderbird on top.
Big Beaver Totem Pole [1] (also known as Story of Big Beaver, [2] or simply Big Beaver) [3] [4] is a 55-foot (16.8-meter) tall outdoor totem pole sculpture by Norman Tait, of the Nisga'a people of British Columbia, located in front of the north entrance to the Field Museum of Natural History in Chicago, Illinois.
Boxley is very proud to have a pole in the museum, and was especially glad that the Tsimshian tribe and his village of Metlakatla were broadcast to a national and global audience due to the pole being raised. [1] He is the second contemporary Totem Pole carver in the world to have a pole in the Museum, after Nathan Jackson. [1]