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Hades and Cerberus, in Meyers Konversationslexikon, 1888. Hades, as the god of the dead, was a fearsome figure to those still living; in no hurry to meet him, they were reluctant to swear oaths in his name, and averted their faces when sacrificing to him. Since to many, simply to say the word "Hades" was frightening, euphemisms were pressed ...
Orpheus was one of the handful of Greek heroes [25] to visit the underworld and return; his music and song had power even over Hades. The earliest known reference to this descent to the underworld is the painting by Polygnotus (5th century BC) described by Pausanias (2nd century AD), where no mention is made of Eurydice.
In the 11th book of the Odyssey, Odysseus follows the advice of Circe to consult Tiresias in Hades, the land of the dead. [3] Odysseus sets out an offering of honey, milk, wine, water, and barley before slaughtering two sheep to add fresh blood to the meal. The souls of many then appear to him.
Rivers are a fundamental part of the topography of the underworld and are found in the earliest source materials: [12] In Homer's Iliad, the "ghost" of Patroclus makes specific mention of gates and a river (unnamed) in Hades; [13] in Homer's Odyssey, the "ghost" of Odysseus's mother, Anticlea, describes there being many "great rivers and appalling streams", and reference is made to at least ...
Goethe's Ankunft im Elysia by Franz Nadorp. Elysium (/ ɪ ˈ l ɪ z i. ə m, ɪ ˈ l ɪ ʒ ə m / [1]), otherwise known as the Elysian Fields (Ancient Greek: Ἠλύσιον πεδίον, Ēlýsion pedíon), Elysian Plains or Elysian Realm, is a conception of the afterlife that developed over time and was maintained by some Greek religious and philosophical sects and cults.
Persephone and Dionysos. Roman copy after a Greek original of the 4th–3rd century B.C. Marble. Hermitage.. In ancient Greek mythology and religion, Persephone (/ p ər ˈ s ɛ f ə n iː / pər-SEF-ə-nee; Greek: Περσεφόνη, romanized: Persephónē, classical pronunciation: [per.se.pʰó.nɛː]), also called Kore (/ ˈ k ɔːr iː / KOR-ee; Greek: Κόρη, romanized: Kórē, lit.
Frontispiece to George Chapman's translation of the Odyssey, the first influential translation in English. Translators and scholars have translated the main works attributed to Homer, the Iliad and Odyssey, from the Homeric Greek into English, since the 16th and 17th centuries. Translations are ordered chronologically by date of first ...
The Odyssey as it exists today is likely not significantly different. [6] Aside from minor differences, the Homeric poems gained a canonical place in the institutions of ancient Athens by the 6th century. [9] In 566 BC, Peisistratos instituted a civic and religious festival called the Panathenaia, which featured performances of Homeric poems. [10]