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The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte.
Calypso in the Caribbean includes a range of genres, including benna in Antigua and Barbuda; mento, a style of Jamaican folk music that greatly influenced ska, the precursor to rocksteady, and reggae; spouge, a style of Barbadian popular music; Dominica cadence-lypso, which mixed calypso with the cadence of Haiti; and soca music, a style of ...
Used in traditional calypso: flute [1] Dominican Republic: 4 Used to accompany upper-class merengue in the later 19th century harmonium [7] Indo-Caribbean: 4 Used in chutney music: kartal [7] Trinidad and Tobago: 4 Harmonium, used in chutney: lambis [5] Haiti: 423.11 Conch shell horn, used for signalling saxophone [3] Garifuna music: 4 Used in ...
Calypso, with its satirical and socio-political lyrics, was developed in the 18th century as a fusion of African and French music styles. It eventually accompanied the rise of steelpan music. Steelpan were imported to Saint Vincent quickly. Calypso's political lyrics have continued to be an important part of the genre.
Kaiso is a type of music popular in Trinidad and Tobago, and other countries, especially of the Caribbean, such as Grenada, Belize, Barbados, St. Lucia, and Dominica, which originated in West Africa particularly among the Efik and Ibibio people of Nigeria, and later evolved into calypso music.
Of these, steeldrum and calypso are the most integral parts of modern Antiguan popular music; both styles are imported from the music of Trinidad and Tobago. Little to no musical research has been undertaken on Antigua and Barbuda other than this. As a result, much knowledge on the topic derives from novels, essays and other secondary sources. [1]
Rapso music is itself an evolution of the chantwell or griot tradition of African music in the diaspora. It is called, "the poetry of Calypso," and "the Power of the Word in the rhythm of the Word." It is called, "the poetry of Calypso," and "the Power of the Word in the rhythm of the Word."
A prolific musician, composer and innovator, Shorty experimented with fusing calypso and the other Indian-inspired music, including chutney music, for nearly a decade before unleashing "the soul of calypso", soca music. Shorty was the first to really define his music and with "Indrani" in 1973 and the album Endless Vibration in 1975. On 30 ...