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[1] English professors Alex Romagnoli and Gian S. Pagnucci, of Indiana University of Pennsylvania, discuss in their book Enter the Superheroes: American Values, Culture, and the Canon of Superhero Literature "the nature of superhero origin stories and how the writing of these origin stories helps make superhero narratives a unique literary genre."
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Metafiction is self-conscious about language, literary form, and story-telling, and works of metafiction directly or indirectly draw attention to their status as artifacts. [1] Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life and art. [2]
However, sometimes in literature, original writers have not approved works as canon, but original publishers or literary estates of original writers posthumously approve subsequent works as canon, such as The Royal Book of Oz (1921) (by original publisher), [16] Porto Bello Gold (1924) (by estate), [17] and Heidi Grows Up (1938) (by estate). [18]
Narrative is also linked to language. The way a story can be manipulated by a character, or in the display of medium contributes to how a story is seen by the world. [22] Narratology, as defined by Shlomith Rimmon-Kenan, is a branch of narrative theory. The concept of narratology was developed mainly in France during the sixties and seventies. [22]
With likely origins in oral tradition, the narrative technique of beginning a story in medias res is a stylistic convention of epic poetry, the exemplars in Western literature being the Iliad and the Odyssey (both 7th century BC), by Homer. [3] Likewise, the Mahābhārata (c. 8th century BC – c. 4th century AD) opens in medias res.
A narrative hook (or just hook) is a literary technique in the opening of a story that "hooks" the reader's attention so that they will keep on reading. The "opening" may consist of several paragraphs for a short story, or several pages for a novel, and may even be the opening sentence.
Critics typically distinguish between the romance, which has a heroic protagonist and fantastic elements, and the novel, which attempts to present a realistic story. This would, yet again, exclude Le Morte d'Arthur.