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Paris by Night 19: Tình Ca Phạm Duy - Tác Phẩm và Con Người: Phạm Duy's Love Songs - Creation and Humanity: 1993 20 Paris by Night 20: Tuyệt Phẩm: Masterpiece: 21 Paris by Night 21: Tình Ca Ngô Thụy Miên: Ngô Thụy Miên’s Love Songs: 22 Paris by Night 22: 40 Năm Âm Nhạc Lam Phương: 40 Years of Lam Phuong Music: 23
Đám cưới chuột (Rat's wedding), a popular example of Đông Hồ painting. Ðông Hồ painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Đông Hồ folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune, Thuận Thành District, Bắc Ninh Province).
Trò chơi truyền hình xuyên Quốc gia – The Biggest Game Show in the World Người Việt Nam chinh phục đỉnh Everest Xổ số Kiến thiết Miền Nam
Tô Ngọc Vân (蘇玉雲, [1] 15 December 1906 or 1908 – 17 June 1954), also known as Tô Tử, was a Vietnamese painter. Several of his paintings are being displayed at the Vietnam National Museum of Fine Arts .
The album included hits of Hà Trần from 1998 to 2003 which were remixed: Mùa xuân gọi, Phố nghèo, Dòng sông mùa thu, Sắc màu, Chuyện tình thảo nguyên (Trần Tiến), Lời chưa nói (Xuân Phương – theme of drama Phía trước là bầu trời), Mưa tháng giêng (Việt Hùng – Nguyễn Việt Chiến), Tình ca ...
In his Vol. 8 album, Tình Ca Hoài Niệm (also known as Tình Ca 50) including love songs from 1954 to 1975, Phố Đêm (Night Town) was also one of the chosen songs in the album, on the cover it was said to be one of Nguyen Tuan Kiet's songs, however the song in the album was another song with same title from songwriter Tam Anh, that song ...
(as Cảnh in Quỳnh búp bê & Fedora/"Fotomat" Long Nhật in Cảnh sát hình sự: Mê cung) Thu Quỳnh (as My "sói" in Quỳnh búp bê & Thu Huệ in Về nhà đi con) Hồng Đăng (as Major Nguyễn Minh Khánh in Cảnh sát hình sự: Mê cung) Thanh Hương (as Lan in Quỳnh búp bê & Linh in Nàng dâu order) Quốc Trường
Con giống with brown glaze, XIII-XIV centuries A tò he craftsman making an animal figurine besides the Temple of Literature, Hanoi.. Traditionally, tò he craftsmen had a compact set of tools so that in one day they could go to several common places such as markets, communal temple grounds and especially local festivals where children often gathered to play or accompany their parents.