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Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Some scholars have suggested the icon at Sinai could have been a possible representation of the Kamouliana icon of Christ [11] or of the famous icon of Christ of the Chalke Gate, [12] an image which was destroyed twice during the first and second waves of Byzantine Iconoclasm—first in 726, and again in 814—and thus its connection with the ...
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...
The icon measures about 57 by 57 centimetres (22.4 by 22.4 inches) and is 2 centimetres (0.79 inches) thick. [1] The icon has been damaged over the years with some of the pigment missing and it has two vertical cracks running through the image, but it can still be readily made out. [1]
The name "Palm Sunday" is a misnomer; the "verba" or "dwarfed spruce" is used instead. According to tradition, on the Saturday before Palm Sunday the Lithuanians take special care in choosing and cutting well-formed branches, which the women-folk decorate with flowers. The flowers are meticulously tied onto the branches, making the "Verba".
Palm Sunday is the final Sunday of Lent season for Christians and signifies the first day of Holy Week—the days including Good Friday and Easter that are spent in remembrance of Jesus' time in ...
Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from the material. They used a computer program to reverse the aging process. After reducing his jaw ...
Coptic icons are more concerned religious truth and beauty than with realism, the depiction of depth, or perspective. As in the Byzantine and related traditions, the figures are depicted frontally, looking straight at the viewer. Today, Coptic icons are found not only in churches, but also in homes and praying altars.
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