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The plywood, however, was prone to crack when bent into the sharp curves the furniture demanded. The competition entries were covered with upholstery to hide these cracks. Through extensive trial and error, Charles and Ray arrived at an alternate solution: create two separate pieces for the seat and backrest, joined by a plywood spine and ...
Danish modern also known as Scandinavian modern is a style of minimalist furniture and housewares from Denmark associated with the Danish design movement. In the 1920s, Kaare Klint embraced the principles of Bauhaus modernism in furniture design, creating clean, pure lines based on an understanding of classical furniture craftsmanship coupled with careful research into materials, proportions ...
This is a list of Danish furniture designers. Summary biographies and background on many of the most important players can be found in the Danish modern article which covers Denmark's richest furniture design period.
The Eames Chair has been cited as one of the most counterfeited and copied pieces of furniture. Immediately following its release, other furniture companies began to copy its design, some being direct copies and others merely being influenced by its design. The former Plycraft Company issued dozens of chairs that were direct copies or in its style.
The Brooklyn Museum's 1954 "Design in Scandinavia" exhibition launched "Scandinavian Modern" furniture on the American market. [1]Scandinavian design is a design movement characterized by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Denmark, Finland, Norway, Sweden, and Iceland.
Hans Jørgensen Wegner (April 2, 1914 – January 26, 2007) was a Danish furniture designer. [4] His work, along with a concerted effort from several of his manufacturers, [5] contributed to the international popularity of mid-century Danish design.
In the book he defined three different furniture types: type-needs, type-furniture, and human-limb objects. He defined human-limb objects as: "Extensions of our limbs and adapted to human functions that are type-needs and type-functions, therefore type-objects and type-furniture. The human-limb object is a docile servant.
As a designer he is celebrated as a forerunner of midcentury modernism in design; his invention of bent plywood furniture [5] had a profound impact on the aesthetics of Charles and Ray Eames and George Nelson. [6] The Alvar Aalto Museum, designed by Aalto himself, is located in what is regarded as his home city, Jyväskylä. [7]
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