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The Japanese-American scholar and translator Kenneth Yasuda published The Japanese Haiku: Its Essential Nature, History, and Possibilities in English, with Selected Examples in 1957. The book includes both translations from Japanese and original poems of his own in English, which had previously appeared in his book titled A Pepper-Pod: Classic ...
Japanese haiku poets often use a saijiki, a book like a dictionary or almanac for kigo.An entry in a saijiki usually includes a description of the kigo itself, as well as a list of similar or related words, and a few examples of haiku that include that kigo.
A haiku in English is an English-language poem written in a form or style inspired by Japanese haiku.Like their Japanese counterpart, haiku in English are typically short poems and often reference the seasons, but the degree to which haiku in English implement specific elements of Japanese haiku, such as the arranging of 17 phonetic units (either syllables or the Japanese on) in a 5–7–5 ...
(An international haiku saijiki with over 1,000 haiku from poets in 50 countries covering 680 seasonal topics) —— (1996). The Haiku Seasons: Poetry of the Natural World. Berkeley: Kodansha. ISBN 4770016298. (a companion book to Haiku World discussing the development of haiku, and the importance of the seasons and kigo to haiku) Ueda, Makoto ...
Kireji (切れ字, lit. "cutting word") are a special category of words used in certain types of Japanese traditional poetry. It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga).
We humans like to think of ourselves as masters of the planet, bending nature to suit our needs. We build roads, carve out neighborhoods, and raise cities from the ground up. But in reality, our ...
French poets who have written haiku in French include Paul-Louis Couchoud (1905), Paul Claudel (1942), Seegan Mabesoone and Nicolas Grenier.Georges Friedenkraft (2002) [3] considers that haiku in French, due to the less rhythmic nature of the French language, often include alliterations or discrete rhymes, [4] and cites the following Haiku by Jacques Arnold (1995) as an example:
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...