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Machine embroidery is used by hobbyists and crafters to decorate gifts, clothing, and home decor. Examples include designs on quilts, pillows, and wall hangings. There are multiple types of machine embroidery. Free-motion sewing machine embroidery uses a basic zigzag sewing machine. Designs are done manually.
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There has also been a development in free hand machine embroidery, new machines have been designed that allow for the user to create free-motion embroidery which has its place in textile arts, quilting, dressmaking, home furnishings and more. Users can use the embroidery software to digitize the digital embroidery designs.
Books typically include a grouping of designs from a single designer such as Kaffe Fassett or Candace Bahouth, or may be centered on a theme such as Christmas or Victorian Needlepoint. Leaflets usually include one to two designs and are usually printed by the individual designer. Free-form needlepoint designs are created by the stitcher.
Straight stitch – the basic stitch in hand-sewing and embroidery; Tacking stitch (UK, also baste or pin) – quick, temporary stitching intended to be removed; Tent stitch – diagonal embroidery stitch at a 45-degree angle; Topstitch – used on garment edges such as necklines and hems, helps facings stay in place and gives a crisp edge
Bangladesh's Nakshi Kantha embroidery. An illustration of the buttonhole stitch. In everyday language, a stitch in the context of embroidery or hand-sewing is defined as the movement of the embroidery needle from the back of the fibre to the front side and back to the back side. [1] The thread stroke on the front side produced by this is also ...
Cross-stitch is a form of sewing and a popular form of counted-thread embroidery in which X-shaped stitches (called cross stitches) in a tiled, raster-like pattern are used to form a picture. The stitcher counts the threads on a piece of evenweave fabric (such as linen ) in each direction so that the stitches are of uniform size and appearance.
In the oldest pieces, the figures were drawn freehand on the fabric and surrounded with Holbein stitch. The background, often cream linen, [ 2 ] was filled as well as possible. For more modern pieces the pattern was constructed carefully on a paper grid in much the same way as counted cross-stitch patterns are created.
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