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  2. Pressure washing - Wikipedia

    en.wikipedia.org/wiki/Pressure_washing

    A pressure washer is used to remove old paint from a boat. Patio flagstones being pressure washed using a rotary nozzle. Pressure washing or power washing is the use of high-pressure water spray to remove loose paint, mold, grime, dust, mud, and dirt from surfaces and objects such as buildings, vehicles and concrete surfaces.

  3. Wash (visual arts) - Wikipedia

    en.wikipedia.org/wiki/Wash_(visual_arts)

    A wash of diluted ink or watercolor paint applied in combination with drawing is called pen and wash, wash drawing, or ink and wash. [ citation needed ] Normally only one or two colours of wash are used; if more colours are used the result is likely to be classified as a full watercolor painting .

  4. Whitewash - Wikipedia

    en.wikipedia.org/wiki/Whitewash

    In Poland painting the whole trunk is also said [citation needed] to help keep the body of the tree cool in late winter and early spring months and hence help prevent fruit trees from blooming too soon, i.e. when warm sunny days could promote rapid tree warming, rising sap and bloom and intermittent frosty nights could damage outer tree rings ...

  5. Wash Day (Grandma Moses) - Wikipedia

    en.wikipedia.org/wiki/Wash_Day_(Grandma_Moses)

    Wash Day is a 1945 oil painting by the American outsider painter Grandma Moses, produced at age 85 and signed "Moses". It has been in the collection of the Rhode Island School of Design Museum since 1946.

  6. Ink wash painting - Wikipedia

    en.wikipedia.org/wiki/Ink_wash_painting

    Ink wash painting uses tonality and shading achieved by varying the ink density, both by differential grinding of the ink stick in water and by varying the ink load and pressure within a single brushstroke. Ink wash painting artists spend years practicing basic brush strokes to refine their brush movement and ink flow.

  7. Lining of paintings - Wikipedia

    en.wikipedia.org/wiki/Lining_of_paintings

    Some painters had their works lined immediately after, or even before, completion. [2] The treatment was intended to mitigate mechanical damage and some nineteenth century academics considered it a necessary step before any other treatments should be enacted. [1] This treatment was considered an inevitable task in the conservation of paintings. [3]

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