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Atkins performing as Model 500 at DEMF in 2007.. Prior to recording "No UFO's", Juan Atkins grew up in a musical family with his father being a music promoter. [2] Atkins first began playing music with friends on his street initially playing bass and guitar until he became 14 or 15 years old, and his family moved to Belleville, Michigan near Atkins' grandmother. [2]
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The music video for the song, which uses the Flamman & Abraxas mix, shows three gabbers, who Flamman & Abraxas knew from Amnesia, wearing Mokum Records shirts chasing after a hippy on a bike through Vondelpark [10] in Amsterdam with inflatable hammers. The hippy eventually escapes by walking into a funhouse mirror and disappearing.
The music video for "Technologic" is the third directed by Daft Punk, following "Fresh" and "Robot Rock". The video features Guy-Manuel de Homem-Christo and Thomas Bangalter on a pyramid-themed stage playing the bass guitars shown in the single cover. The lyrics flash as individual words of text on a television monitor set on the stage.
"Honey" is a midtempo house-pop [19] and techno [20] song, keeping a tempo of 116 bpm in common time and a key of B minor. [21] The song was compared in mood, production, and tempo to clubs' "sunrise" playlists typically played long after last call in anticipation of closing, becoming softer.
Keyword searches give you a wide variety of results without having to perform an advanced search. You are able to search less and discover more! Type a desired word or phrase in the AOL Search field and hit the Enter key on your keyboard or Click the Search button. AOL Search will find the info you want.
Genius is an American digital media company founded on August 27, 2009, by Tom Lehman, Ilan Zechory, and Mahbod Moghadam.The company is known for its eponymous website that serves as a database for song lyrics, news stories, sources, poetry, and documents, in which users can provide annotations and interpretations for.
Snippets of the lyrics from "All Neon Like" were first released in the form of a poem entitled Techno Prayer, which Björk published in the July, 1996 edition of Details magazine. [2] It featured thematic ideas that she would later explore in her 2001 studio album Vespertine , such as cocooning and thread-weaving.