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Rekhta is an Indian web portal started by Rekhta Foundation, a non-profit organisation dedicated to the preservation and promotion of the Urdu literature. [4] The Rekhta Library Project, its books preservation initiative, has successfully digitized approximately 200,000 books over a span of ten years. [5]
Before his time, the language known as Hindi, Hindavi, Dehlavi, Dakhini, Lahori or Rekhta was commonly known as the Zaban-i-Ordu, [4] and commonly in local literature and speech, Lashkari Zaban or Lashkari. [5] Mashafi was the first person to simply shorten the latter name to Urdu. [6] He migrated to Lucknow during the reign of Asaf-ud-Daula.
Triveni is a form of Hindi/Urdu poetry initiated by the poet Gulzar. Unlike sher, a triveni consists of three "hemistichs" (misras). The first two are complete in themselves but the addition of the third misra gives a new dimension. Rupa & Co. has published his poetry book Triveni.
Amir Khusro (1253–1325) composed the first ghazal in Urdu, titled ze-hāl-e-miskīñ. [2] He wrote in Persian and Rekhta (initial form of Urdu). Mirza Ghalib is considered one of the leading literary authority on Urdu poetry. [3] He lived in Delhi [4] and died in 1869. The literal meaning of shayar (shaa'ir) is poet. [5]
The Urdu ghazal is a literary form of the ghazal-poetry unique to the Indian subcontinent, written in the Urdu standard of the Hindostani language. It is commonly asserted that the ghazal spread to South Asia from the influence of Sufi mystics in the Delhi Sultanate .
Urdu poetry (Urdu: اُردُو شاعرى, romanized: Urdū Shāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . Several prominent Urdu poets include Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938) and Josh ...
Hafeez Jalandhari was unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally dealt with romantic, religious, patriotic and natural themes. His language was a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia. [3]
After that, kavi sammelan became a large part of Indian culture. The Mushaira of Urdu poetry and the Hindi Kavi Sammelan are now often combined, and 'Mushaira-cum-Kavi Sammelan' is organised throughout the Hindustani speaking world. [1] In India, the period from Indian independence in 1947 to the early 1980s was a golden phase for kavi sammelan.