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He is best known for his book The Arts of Orpheus (1941), in which he analysed a large number of sources for Orphism and Orphic literature. His work is noted for its thoroughly sceptical approach to the evidence, attempting to the repudiate the notions of a coherent Orphism put forward by earlier scholars. [ 2 ]
Orphism is named after the legendary poet-hero Orpheus, who was said to have originated the Mysteries of Dionysus. [7] However, Orpheus was more closely associated with Apollo than to Dionysus in the earliest sources and iconography. According to some versions of his mythos, he was the son of Apollo, and during his last days, he shunned the ...
It is narrated in the first person in the name of Orpheus and tells the story of Jason and the Argonauts. It is not known who the real author is. It is not known who the real author is. The poem is found in manuscripts either on its own or together with the Orphic Hymns and other hymns such as the Homeric Hymns and those of Proclus and ...
Orpheus and Eurydice, a ballet choreographed by Dame Ninette de Valois with music by Gluck (1941) [9] Orpheus, a ballet made by choreographer George Balanchine to music by Igor Stravinsky (1948) Orpheus in the Underworld, an album by Don Shirley (1956) Orpheus, a song by New York Rock & Roll Ensemble, from Reflections (Manos Hatzidakis album ...
Orpheus & Eurydice. La descente d'Orphée aux enfers H.488 (English: The Descent of Orpheus to the Underworld) is an incomplete chamber opera in two acts by the French composer Marc-Antoine Charpentier. It was probably composed in early 1686 and performed either in the apartments of the Dauphin that spring or at Fontainebleau in the autumn.
L'anima del filosofo, ossia Orfeo ed Euridice (The Soul of the Philosopher, or Orpheus and Euridice), Hob. 28/13, is an opera in Italian in four acts by Joseph Haydn and is one of the last two operas written during his life, the other being Armida (1783).The libretto, by Carlo Francesco Badini, is based on the myth of Orpheus and Euridice as told in Ovid's Metamorphoses.
Orphée notes that he can tell when Eurydice is lying because of the color of her eyes changes accordingly. Offstage, Matthew throws himself under a train in despair of Eurydice's rejection, and humbled by this news, the couple runs away together. They are followed by both M. Henri, a mysterious figure, and Dulac, the manager of the acting troupe.
Roman mosaic of Orpheus, the mythical poet to whom the Orphic Hymns were attributed, from Palermo, 2nd century AD [31]. The collection's attribution to the mythical poet Orpheus is found in its title, "Orpheus to Musaeus", [32] which sits above the proem in the surviving manuscripts of the collection; [33] this proem, an address to the legendary poet Musaeus of Athens (a kind of address found ...