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View of the temple from the back. The middle part of the temple is Cửu Trùng Đài, a long space divided into nine levels from low to high, corresponding to the nine ranks in the Cao Đài spiritual hierarchy. The fifth level is the area for bishops. On the roof right above this level rises a high tower known as Nghinh Phong Đài.
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The Holy See, not Vatican City, maintains diplomatic relations with states. [50] Foreign embassies are accredited to the Holy See, not to Vatican City, and it is the Holy See that establishes treaties and concordats with other sovereign entities. When necessary, the Holy See will enter a treaty on behalf of Vatican City.
Werner writes that "unique in the history of music is the firm belief in the purifying and sin-atoning power of the Temple's music, ascribed to both chant and instruments." [9] The music had to be free from blemish or fault, and avoided magical elements. Even the High Priest's garment had symbolism: (Exod. 28:34–35): "a golden bell and a ...
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Located 90 kilometres (56 mi) north-west of Ho Chi Minh City (formerly Saigon) in Tây-Ninh Province is the Caodaist Holy See. At the centre of this city stands the Great Divine Temple. As well as being a major centre of pilgrimage, the Caodaism Holy See is also one of Vietnam's major tourist attractions. [19]
The rite in use among the Carmelites beginning in about the middle of the twelfth century is known by the name of the Rite of the Holy Sepulchre, the Carmelite Rule, which was written about the year 1210, ordering the hermits of Mount Carmel to follow the approved custom of the Church, which in this instance meant the Patriarchal Church of Jerusalem: "Hi qui litteras noverunt et legere psalmos ...
Raags are used in Sikh music simply to create a mood, and are not restricted to particular times. A mood can be created by the music of the raag regardless of the time of day. There are a total of 60 raags or melodies within the Guru Granth Sahib. Each melody sets a particular mood for the hymn, adding a deeper dimension to it.
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