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Around 1890, affiliates of the Gypsy Lore Society had deduced that a tricolor of red-yellow-black was preferred by the Spanish Romanies, and embraced it as a generic Romani symbol. In the Balkans at large, corporate representation was granted to the Gypsy esnaf —which preceded the creation of modern professional unions, all of which had their ...
La Zingarella (literally The Little Gypsy Girl) is a 49 x 37 cm oil-on-panel painting executed ca. 1516–17 by the Italian Renaissance painter Correggio.It shows the Rest on the Flight into Egypt, although (as also seen in works around the same time by Dosso Dossi [1]) it omits the figure of Saint Joseph.
La Zingarella or Gypsy Girl is a 140 centimetres (55 in) tall statue of Diana, [2] a combination of an ancient body with additions commissioned by Cardinal Scipione Borghese [3] and executed by Nicolas Cordier, between 1607 and 1612. The additions, a head and the extremities of the body, were in bronze, and white and grey marble
More than 100 pages use this file. The following list shows the first 100 pages that use this file only. A full list is available. Aven Amentza; Boyash; Dazdie; Demographics of El Salvador; Devla; Dharmachakra; Doms in Iraq; European Free Alliance; European Security and Integration; Euroroma; Fanfare Ciocărlia; Flag of the Romani people; Flags ...
Romani folklore encompasses the folktales, myths, oral traditions, and legends of the Romani people.The Romani were nomadic when they departed India during the Middle Ages. ...
The Star of Life is a symbol used to identify emergency medical services. It features a blue six-pointed star, outlined by a white border. The middle contains a Rod of Asclepius – an ancient symbol of medicine. The Star of Life can be found on ambulances, medical personnel uniforms, and other objects associated with emergency medicine or ...
Romani men in urban areas tend to wear shiny suits and ties as a display of fashion, status, and elegance. Romani men often wear golden rings and necklaces as jewelry. The hat and vest of a Romani man is indicative of his tribe and clan affiliation. Because of the Romani stigma surrounding the lower body, Romani men will often avoid wearing ...
He smiles and glances to the left but does not appear to be looking at the woman. Art historians have identified the man alternatively as a soldier, a shepherd, a gypsy, or a member of a club of unmarried men. X-rays of the painting have revealed that in the place of the man, Giorgione originally painted another female nude. [4]