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This is a list of the paintings by the British Pre-Raphaelite artist John William Waterhouse. 1870s. Image Name Year Current Location Ref The Slave: 1872:
Waterhouse was born in the city of Rome to the English painters William and Isabella Waterhouse in 1849, in the same year that the members of the Pre-Raphaelite Brotherhood, including Dante Gabriel Rossetti, John Everett Millais and William Holman Hunt, were first causing a stir in the London art scene. [3]
The Lady of Shalott, an 1888 oil-on-canvas painting, is one of John William Waterhouse's most famous works. It depicts a scene from Tennyson's poem in which the poet describes the plight and the predicament of a young woman, loosely based on the figure of Elaine of Astolat from medieval Arthurian legend, who yearned with an unrequited love for the knight Sir Lancelot, isolated under an ...
Echo and Narcissus is a 1903 oil painting by John William Waterhouse.It illustrates the myth of Echo and Narcissus from Ovid's Metamorphoses.. John William Waterhouse (1847–1917) was an English painter who, because of his style and themes, is generally classified as a Pre-Raphaelite.
The most controversial aspect of Waterhouse's painting was his depiction of the Sirens, as it differed greatly from contemporary Victorian era conceptions. While many of the original audience had expected to see the Sirens as mermaid-like nymphs, they were surprised to find them as bird-like creatures with women's heads. [1]
Paintings by John William Waterhouse (1849-1917) — Pre-Raphaelite English painter. ... (Waterhouse painting 1909) H. Hylas and the Nymphs (painting) I.
Towneley Hall Art Gallery & Museum, Burnley The Unwelcome Companion: A Street Scene in Cairo is an early painting by John William Waterhouse . Completed in 1873, it was exhibited at the gallery of the Society of British Artists .
The Crystal Ball is a painting by John William Waterhouse completed in 1902. [1] Waterhouse displayed both it and The Missal in the Royal Academy of 1902. The painting shows the influence of the Italian Renaissance with vertical and horizontal lines, along with circles "rather than the pointed arches of the Gothic".
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