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Along with Matthew Carter's 1978 Bell Centennial reworking, Tobias Frere-Jones designed the Griffith Gothic typeface family for the Font Bureau in 1997. Condensed and italic variants were added, thus expanding the family in 2000. Isabella Chæva produced a cyrillic version of Bell Gothic for ParaType, based in Moscow, Russia, in 1999. She added ...
A sample of News Gothic. A sample of Bank Gothic. A sample of Franklin Gothic.. All of Benton's typefaces were cut by American Type Founders.. Roycroft (c. 1898), inspired by lettering in the Saturday Evening Post and often credited to Lewis Buddy, though (according to ATF) designed “partly” by Benton.
Benton Sans is a digital typeface family begun by Tobias Frere-Jones in 1995, and expanded by Cyrus Highsmith of Font Bureau.It is based on the sans-serif typefaces designed for American Type Founders by Morris Fuller Benton around the beginning of the twentieth century in the industrial or grotesque style.
ITC Avant Garde Gothic is a geometric sans serif font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, and then he and Tom Carnase, a partner in Lubalin's design firm, worked together to transform the idea into a full-fledged typeface.
The Nanum fonts (Korean: 나눔글꼴; RR: Nanum Geulkkol) is a series of open source unicode fonts designed for the Korean language, designed by Sandoll Communications and Fontrix (Korean: 폰트릭스).
M + OUTLINE FONTS [F] Free license VL Gothic VLゴシック: Derived from M+ FONTS and Sazanami Gothic font. Distributed on Vine Linux. [F]? [F] License: same as parent fonts. Sazanami Gothic [22] さざなみゴシック: Distributed on Linux. [F] License: formerly considered free and included with a number of Linux distributions. [23] MS ...
Century Gothic is a digital sans-serif typeface in the geometric style, released by Monotype Imaging in 1990. [1] [2] It is a redrawn version of Monotype's own Twentieth Century, a copy of Bauer's Futura, to match the widths of ITC Avant Garde Gothic.
The design of League Gothic was based on Alternate Gothic, a typeface originally designed by Morris Fuller Benton in 1903. Both No. 1 and No. 2 are available, each in a single semi-bold weight. [13] League Gothic was also used as the basis for Warsaw Gothic, an expanded font family with some altered glyphs produced in 2015 by Robert Jablonski. [14]