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Hairwork, or jewelry or artwork made of human hair, has appeared throughout the history of craft work, particularly to be used for private worship or mourning. From the Middle Ages through the early twentieth century, memorial hair jewelry remained common. Hair, considered to be a remnant off the person it was cut from, also has often played a ...
Scottish jewellery is jewellery created in Scotland or in a style associated with Scotland, which today often takes the form of the Celtic style. It is often characterised by being inspired by nature, Scandinavian mythology, and Celtic knot patterns. [self-published source?] Jewellery has a history in Scotland dating back to at least the Iron Age.
The 16th century, the century in which Scotland played host to her own Protestant Reformation, was a quiet one for Scottish gravestones. It seems that they were seldom produced and are indeed a rare sight today in our old graveyards. More stones were produced in the 17th and 18th centuries.
The jewels of Mary, Queen of Scots (1542–1587), are mainly known through the evidence of inventories held by the National Records of Scotland. [1] She was bought jewels during her childhood in France, adding to those she inherited. She gave gifts of jewels to her friends and to reward diplomats. When she abdicated and went to England many of ...
The monument dominates the top of Calton Hill, just to the east of Princes Street. It was designed during 1823–6 by Charles Robert Cockerell and William Henry Playfair and is modeled upon the Parthenon in Athens. Construction started in 1826 and, due to the lack of funds, was left unfinished in 1829.
Recollections of a Tour Made in Scotland, A. D. 1803 (1874) is a travel memoir by Dorothy Wordsworth about a six-week, 663-mile journey through the Scottish Highlands from August–September 1803 with her brother William Wordsworth and mutual friend Samuel Taylor Coleridge. Some have called it "undoubtedly her masterpiece" [1] and one of the ...
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