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Screen theory is a Marxist–psychoanalytic film theory associated with the British journal Screen in the early 1970s. [1] It considers filmic images as signifiers that do not only encode meanings but also mirrors in which viewers accede to subjectivity. [ 2 ]
Marxist film theory is an approach to film theory centered on concepts that make a political understanding of the medium possible. [ 1 ] [ failed verification ] An individual studying a Marxist representation in a film, might take special interest in its representations of political hierarchy and social injustices .
Critical consciousness, conscientization, or conscientização in Portuguese (Portuguese pronunciation: [kõsjẽtʃizaˈsɐ̃w]), is a popular education and social concept developed by Brazilian pedagogue and educational theorist Paulo Freire, grounded in neo-Marxist critical theory. Critical consciousness focuses on achieving an in-depth ...
Film theory seeks to systematize film as a medium. It may use Critical theory, Formalism, Marxism, philosophy of language, or Lacanian psychoanalysis, while film criticism analyzes and examines a specific film (though larger generalizations can still be deduced from criticism).
Wilhelm Reich and later the Frankfurt School complemented Marx's theory of society with Freud's theory of the subject, departing from orthodox Marxism and the Leninist traditions, and setting the foundations of what later came to be called "critical theory." Reich saw the rise of fascism as an expression of a long-repressed sexuality. Frankfurt ...
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
Marx Reloaded, written and directed by the British theorist Jason Barker, is a partly animated documentary film which investigates the contemporary relevance of Marx's ideas in the context of the financial crisis of 2007–2008. The film asks whether "(we) should ... accept the crisis as an unfortunate side-effect of the free market" or whether ...
The Society of the Spectacle (French: La société du spectacle) is a 1967 work of philosophy and Marxist critical theory by Guy Debord where he develops and presents the concept of the Spectacle. The book is considered a seminal text for the Situationist movement. Debord published a follow-up book Comments on the Society of the Spectacle in ...