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Suite for Flute and Jazz Piano (aka Suite for Flute and Jazz Piano Trio) is a "crossover" composition by the jazz pianist and composer Claude Bolling. [1] The composition, originally written in 1973, is a suite of seven movements, written for a classical flute, and a jazz piano trio (piano, string bass, and drums).
Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93) Le marteau sans maître for contralto voice, alto flute, viola, guitar, xylorimba, vibraphone, and ...
Jazz compositions originally or most commonly played in the key of G major. Pages in category "Jazz compositions in G major" The following 22 pages are in this category, out of 22 total.
Bolling: Suite No. 2 for Flute and Jazz Piano Trio (CBS, 1987) Sonatas for Two Pianists (CBS, 1989) Warm Up the Band (Columbia, 1991) Cross Over U.S.A. (Milan, 1993) Enchanting Versailles: Strictly Classical (Milan, 1995) Suite for Flute and Piano Jazz Trio (Acte Préalable, 1999) Suite for Violin and Piano Jazz Trio (Acte Préalable, 1999)
The following is a list of jazz-influenced classical compositions. Classical music has often incorporated elements or material from popular music of the composer's time. Jazz has influenced classical music, particularly early and mid-20th-century composers, including Maurice Ravel. "While Western classical music emphasizes structure, written ...
Sonata in G major (HWV 358) Sonata in G major for two flutes and basso continuo, BWV 1039; Sonatina in G major (attributed to Beethoven) St. Cecilia Mass; Stand and Sing of Zambia, Proud and Free; Ständchen, WAB 84.2; State Anthem of Uzbekistan; String Duo No. 1 (Mozart) String Quartet No. 3 (Britten) String Quartet No. 1 (Mozart)
Sonata No.2 for Harp and Guitar (2021) Sonata for Harp, Flute and Bassoon (2023) Leo Smit. Trio pour Flute, Alto et harpe; Dave Soldier. Dean Swift's Satyrs for the Very Very Young for harp, viola, flute and voice (2011) Louis Spohr – in many of these works, the harp was to be tuned down a semitone and the music written a semitone higher
It is similar to the orchestral version, in that the trumpet, flute, oboe and solo violin parts are the same, but the orchestra part has been arranged for basso continuo (or piano) by Klaus Hofmann. This reconstructed quintet arrangement is also the very first piano reduction of the 2nd Brandenburg Concerto ever published by Bärenreiter Verlag ...