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"African American Cultural Dance" was a description coined by National Dance Association author and researcher Frank R. Ross, who correctly replaced the old stereotyped "vernacular" (native or natural) definition of African-American dance with its correct definition as "cultural" (sanctioned by the National Dance Association and International ...
Like pow-wow dancing, Gourd Dancing is performed in a circular arena. The drum can be placed on the side or in the center of the arena. The dancers take their place around the perimeter of the area. During most of the song, the dancers dance in place, lifting their feet in time to the drumbeats, and shaking their rattles from side to side.
Pages in category "African-American dance" The following 50 pages are in this category, out of 50 total. This list may not reflect recent changes. ...
The Chicken Dance is an example of a line dance adopted by the Mod revival during the 1980s. [18] The music video for the 1990 Billy Ray Cyrus song "Achy Breaky Heart" has been credited for launching line dancing into the mainstream. [2] [19] [20] [21] In the 1990s, the hit Spanish dance song "Macarena" inspired a popular line dance. [22]
This is a non-diffusing subcategory of Category:American dancers. It includes dancers that can also be found in the parent category, or in diffusing subcategories of the parent. Contents
The popularity of African American dance and music fed what became a fascination with the somewhat illicit nature of the ghetto area. In 1937, white [ 4 ] patronage in the area brought much-needed income to the bars, clubs, and theaters of Harlem, as well as work for black artists in a city increasingly belabored by economic depression .
This is a non-diffusing subcategory of Category:American choreographers. It includes choreographers that can also be found in the parent category, or in diffusing subcategories of the parent. Wikimedia Commons has media related to African American choreographers .
Black Vaudeville is a term that specifically describes Vaudeville-era African American entertainers and the milieus of dance, music, and theatrical performances they created. Spanning the years between the 1880s and early 1930s, these acts not only brought elements and influences unique to American black culture directly to African Americans ...