Search results
Results from the WOW.Com Content Network
During this time period, she also released numerous Myanmar genre songs. In 2004, she had a 2 hour live show of her greatest hits featuring both younger and older singers. This was one of her bestselling albums released through both VCD Karaoke and CD. To this day, young generations also know Hay Mar's songs and continue to cover them.
The only government censorship that remains on music is video censorship. Everyone can, in essence, release whatever they want. This has led many on the newly re-grouped Myanmar Music Association to grapple with the idea of forming a rating system to deal with some 'rude words' in music that may not be appropriate for all ages.
Copy thachin, or simply "copy music" is a genre of music in Myanmar that originates from the early 1980s. It merges the melody and instrumentals of international songs with Burmese vocals. Proponents of copy thachin argue that the style is separate from cover songs due to it having unique vocal arrangements and lyrics.
The Myanmar Music Association (MMA; Burmese: မြန်မာနိုင်ငံဂီတအစည်းအရုံး) is Myanmar's music industry association. The organisation was established in 1952 and consists of 5 divisions: historical traditional music, modern traditional music, contemporary music, production and technical work.
After that the Dobama Asiayone received a lot of invitations to come and sing the song. The Thakins tried to establish a tradition of singing Dobama Song in every meeting and ceremony. [5] On 27 June 1936, the Dobama Song was declared as the national anthem of Burma at the second conference of Dobama Asiayon held in Myingyan. [6]
The Shade of Mandalay Hill "Man Taung Yeik Kho" (Burmese: မန်းတောင်ရိပ်ခို, lit. ' The Rest Under the Shade of Mandalay Hill '), is a Burmese cultural song composed in 1947 by Burmese musician Myoma Nyein, one of the greatest musicians in Burmese classical music. [1]
Myint Lwin was persuaded by her performance to produce music on her behalf. Following the success of her music career after 1980, famous composers like Kaiser, Naing Myanmar, and Win Min Htwe composed music for her. Maykhala's hits include "Leave Now" (ပြန်ပေတော့), "Loving That Much" (အဲ့သလောက်တောင ...
In 1955, she gained national recognition as a singer with the song "Playing on the Rainbow". [4] By the 1980s, 80% of film soundtracks were sung by Mar Mar Aye. [4] In 1961, she worked as an assistant broadcaster at Myanmar Radio. She was also an executive member of Myanmar's Modern Music Council and a committee member of Gita Padaytha Magazine.