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The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Another version of this song, in the form of a vaudeville song called Sweet Maggie Gordon, [5] was published in New York from 1880. [6] The song tells a story of a man who is madly in love with a woman of this name and how he longs to be with her. [7] In 1938, a song called Sweet Peggy Gordon was recorded by Herbert Halpert in Sloatsburg, New ...
[3] The use of letters, "is an analytical technique that may be employed along with, or instead of, more conventional methods of analysis such as Roman numeral analysis. The system employs letter names to indicate the roots of chords, accompanied by specific symbols to depict chord quality." [4] Other notation systems for chords include: [5]
The song is often accompanied by a circle singing game.Players form a circle and dance around one player. When they reach the end of the verse they stop, the single in the middle performs an action (such as Highland dancing), which everyone then imitates, before starting the verse again, often changing the single player to a boy, or a boy can join the center player - thus creating an extra ...
Johnson subsequently signed with Ric records and recorded series of songs at Cosimo Matassa's New Orleans recording studio starting with "Lena" in 1958. In 1960 Johnson recorded "Carnival Time" for the label. [3] [4] The song was produced by Joe Ruffino, owner of the Ric label. Its composition was originally credited to both Johnson and Ruffino.
The carol is the second of three songs included in the Pageant of the Shearmen and Tailors, a nativity play that was one of the Coventry Mystery Plays, originally performed by the city's guilds. The exact date of the text is unknown, though there are references to the Coventry guild pageants from 1392 onwards.
Well folks, we did it — we found the man behind the purple monkey: Jamie Hert, a sound designer for Fisher Price and the brains behind the lyrics and music for all 11 songs on the Kick & Play ...
Katie Cruel" is a traditional American folksong, likely of Scottish origin. As a traditional song, it has been recorded by many performers, but the best known recording of the song is by Karen Dalton on the album In My Own Time. The American version of the song is said to date to the Revolutionary War period. [1] The song is Roud no. 1645. [2]