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The Santa Maria del Fiore cathedral in Florence possesses the largest brick dome in the world, [2] [3] and is considered a masterpiece of European architecture.. Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi (/ ˌ b r uː n ə ˈ l ɛ s k i / BROO-nə-LESK-ee; Italian: [fiˈlippo brunelˈleski]) and also nicknamed Pippo by Leon ...
The scene, part of the series of the Stories of Jesus on the chapel's northern wall, is a reference to Matthew 16 [2] in which Jesus says he will give "the keys of the kingdom of heaven" to Saint Peter. [3] These keys represent the power to forgive and to share the word of God thereby giving them the power to allow others into heaven.
However, Filippo Brunelleschi more certainly adapted the Spinario's pose for the left-hand attendant in 1401 for his bronze panel The Sacrifice of Isaac, which was his trial piece for the competition to design the doors of the Baptistery of San Giovanni. [clarification needed] [10]
The most common argument for crediting Brunelleschi is the chapel's clear similarity to the Old Sacristy; others argue that his style had developed in the twenty-year interim and that the Pazzi Chapel would represent a retrograde step. [4] The first written mention of Brunelleschi as the architect was written by an anonymous author in the 1490s ...
Filippo Brunelleschi began designs for the new building as early as 1428. The first pillars to the building were delivered in 1446, ten days before his death. [11] After his death, the works were carried on by his followers Antonio Manetti, Giovanni da Gaiole, and Salvi d'Andrea; the latter was also responsible for the construction of the cupola.
Brunelleschi's domes at San Lorenzo and the Pazzi Chapel established them as a key element of Renaissance architecture. [12] His plan for the dome of the Pazzi Chapel in Florence's Basilica of Santa Croce (1430–52) illustrates the Renaissance enthusiasm for geometry and for the circle as geometry's supreme form.
The chapel was built by Brunelleschi in the period in which he was active in the Spedale degli Innocenti, and was still supporting the feasibility of the dome of Santa Maria del Fiore. He had already studied a reduced version of his subject for the latter in the dome of the Ridolfi Chapel and repeated it in the Barbadori Chapel, though now his ...
Brunelleschi's design was based on Classical Roman, Italian Romanesque and late Gothic architecture. [2] The loggia was a well known building type, such as the Loggia dei Lanzi. But the use of round columns with classically correct capitals, in this case of the composite order, in conjunction with dosserets (or impost blocks) was novel.