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Paula Scher (born October 6, 1948) is an American graphic designer, painter and art educator in design. She also served as the first female principal at Pentagram , which she joined in 1991. [ 1 ]
In 1990-91 Michael Bierut, Paula Scher, both graphic designers, and James Biber, an architect, joined the New York office. They eventually moved to a building at 204 Fifth Avenue, a building designed by C. P. H. Gilbert, where the office resided until 2017. The New York office is now located in a building at 250 Park Avenue.
Paula Scher (United States, 1948– ), ... (1919–2002), professor at UCLA and author who was known for work in geography, surveying practices, and history;
Paula Scher – graphic designer and principal at the Pentagram design consultancy; created redesigns of the Citibank and Tiffany brands; her work is featured in the Museum of Modern Art and the Cooper-Hewitt, National Design Museum; James Victore – independent graphic designer; Rus Yusupov – designer and co-founder of Vine (service) and HQ ...
From the mid-1980s through the early 21st century, a number of artists, including Paula Scher, P. R. Brown, and Adam Pendleton, contributed to the cover designs for the label's releases. The Blue Note album covers, particularly those designed by Miles, have been highly regarded and considered definitive of jazz's visual identity.
Poster House was incorporated in 2015 and opened to the public on June 20, 2019. [4] [5] Its logo was designed by Paula Scher of Pentagram. [6]The museum space, which formerly housed an Apple products repair store by the name of Tekserve, was redesigned by LTL Architects and Lumen Architecture.
Gail Anderson has a wide area of expertise working in multiple areas of the graphic design field throughout her career. Some of her most notable works stem from her experience creating posters in the entertainment industry while working with The School of Visual Arts, Rolling Stone, and many theater organizations – including Broadway. Theater
In 1999, Heller received an AIGA Medal for what designer Paula Scher described as "lifetime achievement that comes from a workday existing roughly between 4:30 and 8:45 A.M. before a full workday at the New York Times Book Review." [2] The Society of Illustrators honored Heller with the Richard Gangel Art Director Award in 2005. [8]