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Sound sample: seven-note scale played on the Ranat ek. The ranat ek (Thai: ระนาดเอก, pronounced [ranâːt ʔèːk], "also xylophone") is a Thai musical instrument in the percussion family that consists of 22 wooden bars suspended by cords over a boat-shaped trough resonator and struck by two mallets.
The xylophone (from Ancient Greek ξύλον (xúlon) 'wood' and φωνή (phōnḗ) 'sound, voice'; [1] [2] lit. ' sound of wood ' ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets .
The Koho people know how to use the stone xylophone longs ago where some stone xylophones found there aged to some 2500 years. [8] [10] In Cambodia, this type of prehistoric stone xylophone or known as Roneat Thmor in Khmer was also found in a site known as Along Tra Reach in Kampong Chhnang province, Central Cambodia. Each stone xylophone is ...
The pattala (Burmese: ပတ္တလား patta.la:, Burmese pronunciation:; Mon: ဗာတ် ကလာ) is a Burmese xylophone, consisting of 24 bamboo slats called ywet (ရွက်) or asan (အဆံ) suspended over a boat-shaped resonating chamber. [1] [2] It is played with two padded mallets.
The word "roneat" is a Khmer word for the bamboo xylophone, which is an ancient musical instrument of Cambodia. According to the Khmer national dictionary, roneat means xylophone and is described as "the percussive musical instrument that has a long body where its bars are made from bamboo or other good quality woods or metal bars striking with a pair of two roneat sticks played in the pinpeat ...
The ranat thum (Thai: ระนาดทุ้ม, pronounced [ranâːt tʰúm]) is a low pitched xylophone used in the music of Thailand. It has 18 wooden keys, which are stretched over a boat-shaped trough resonator. Its shape looks like a ranat ek, but it is lower and wider.
Gabbang – bamboo xylophone (Yakan, Batak, B'laan, Sama-Bajau, Tausūg) Luntang – wooden beams hanging from a frame (Maguindanaon) Kulintang a tiniok – set of eight, tuned knobbed metal plates strung on a wooden frame (Maguindanaon) Babandil – small gong; Saronay – eight tuned knobbed metal plates strung over a wooden frame (Maranao)
The whole melody is shifted up or down one xylophone bar: 1 is replaced by 2, 2 by 3, 3 by 4, 4 by 5 and 5 by 1. Although in the middle of the xylophone, the structure of the piece remains the same, the movement patterns of the musicians are changed, and the okukoonera part may become completely different.
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