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The Chicken Dance is an example of a line dance adopted by the Mod revival during the 1980s. [18] The music video for the 1990 Billy Ray Cyrus song "Achy Breaky Heart" has been credited for launching line dancing into the mainstream. [2] [19] [20] [21] In the 1990s, the hit Spanish dance song "Macarena" inspired a popular line dance. [22]
Donna McKechnie (born November 16, 1942) [1] is an American musical theater dancer, singer, actress, and choreographer. She is known for her professional and personal relationship with choreographer Michael Bennett, with whom she collaborated on her most noted role, the character of Cassie in the musical A Chorus Line.
Other published instructions for this dance include Larry Lynch's Set Dances of Ireland, Terry Moylan's Irish Dances, Pat Murphy's Toss the Feathers and Tom Quinn's Irish Dancing. Joe O'Hara and the Newcastle Irish Set Dancers have versions this set online.
Will Mentor calls a square dance at the John C. Campbell Folk School in North Carolina. A caller is a person who prompts dance figures in such dances as line dance, square dance, and contra dance. The caller might be one of the participating dancers, though in modern country dance this is rare.
According to tap dancer Howard “Stretch” Johnson the word "Shim" was a contraction of the term "she-him", a reference to the fact that the female chorus line dancers at the 101 Ranch were played by men. [7] At the Savoy Ballroom, some lindy hoppers did the shim sham as a group line dance, without the taps.
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The local popularity of the dance and record in Baltimore, Maryland, came to the attention of the producers of The Buddy Deane Show in 1960, which led to other dance shows picking it up. [2] The Madison is a line dance that features a regular back-and-forth pattern interspersed with called steps. Its popularity inspired dance teams and ...
One form is as a complete line dance, consisting of approximately 25 steps. [1] Other forms may include a simplified two-step followed by a shoulder-brushing motion with the back of the opposite hand. In some respects, the maneuver is a homage to the vibrant dance culture that permeated dance clubs of the Harlem area during the Harlem Renaissance.