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"Evil Woman", sometimes titled "Evil Woman (Don't Play Your Games with Me)", is a song by Minneapolis–St. Paul–based band Crow, on their 1969 album Crow Music. It reached number 19 on the US Billboard Hot 100 pop chart and number 65 in Australia.
The single "Evil Woman (Don't Play Your Games With Me)" made the Top 40 of the Billboard Hot 100 that fall, peaking at No. 19 the following January. [4] Crow by Crow and Mosaic were the follow-up releases in 1970 and 1971, respectively. Several later singles managed to chart, although none reached the heights of "Evil Woman".
Lynne wrote the song quickly when Face the Music was almost complete but he didn't think they had a good lead single. [3] Lynne said: I wrote this in a matter of minutes. The rest of the album was done. I listened to it and thought, 'There’s not a good single.' So I sent the band out to a game of football and made up 'Evil Woman' on the spot.
The track "Evil Man" was originally recorded as "Evil Woman" by the band Crow, [8] more famously remembered for the version Black Sabbath released in January 1970. Ike & Tina Turner's recording is gender-swapped, describing a man rather than a woman. The album peaked at No. 13 on the Billboard Soul LP's chart and at No. 130 on the Top LP's ...
"Evil Woman", a song by Zeke from the album Death Alley "Evil Woman", a song by The Doobie Brothers from their album The Captain and Me The international name for the film Saving Silverman
Individual songs are usually priced at either US$1.99/€1.49/£0.99, or US$1.00/€0.75/£0.59, with a few exceptions priced at £1.19 or £1.49/€1.99; [16] all are available for download through PlayStation Network, Xbox Live and the Wii's online service unless otherwise noted on the list below.
"Black Sabbath" is a song by the English heavy metal band of the same name, written in 1969 and released on their eponymous debut album in 1970. In the same year, the song appeared as an A-side on a four-track 12-inch single, with "The Wizard" also on the A-side and "Evil Woman" and "Sleeping Village" on the B-side, on the Philips Records label Vertigo.
AllMusic's Donald A. Guarisco said "Sweet Talkin' Woman" was "their first real step into the disco sound [...] a string-laden pop tune whose dance-friendly edge helped it become a disco-era hit", attributing its disco sound to "Bev Bevan's steady drum work lays down a dance-friendly rhythm as pounding piano lines, delirous bursts of swirling strings, and endlessly overdubbed backing vocals ...