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Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma in November 1912. An unsentimental meditation upon a complex marriage, [1] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.
Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths. In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America .
"Because I could not stop for Death" is a lyrical poem by Emily Dickinson first published posthumously in Poems: Series 1 in 1890. Dickinson's work was never authorized to be published, so it is unknown whether "Because I could not stop for Death" was completed or "abandoned". [1] The speaker of Dickinson's poem meets personified Death. Death ...
The soldier's father read the poem on BBC radio in 1995 in remembrance of his son, who had left the poem among his personal effects in an envelope addressed 'To all my loved ones'. The poem's first four lines are engraved on one of the stones of the Everest Memorial, Chukpi Lhara, in Dhugla Valley, near Everest. Reference to the wind and snow ...
The poem uses the journey into the unknown as a metaphor for death, with the ship itself representing the human soul and the loved ones in the quay, the friends and family of the departed. [2] The poem was written in the context of the deep and enduring love that Yahya Kemal felt for tr:Celile Hikmet, artist and mother of poet Nazim Hikmet. [7]
The next earliest example is by an anonymous author, probably of the 1st century BCE, lamenting the death of Bion; this poem has sometimes been attributed to the Hellenistic poet Moschus. [8] Virgil's "Eclogue 5," written in the 1st century BCE, is the most imitated ancient model of the pastoral elegy.
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[3] Milton himself "recognized the pastoral as one of the natural modes of literary expression," employing it throughout "Lycidas" in order to achieve a strange juxtaposition between death and the remembrance of a loved one. [4] The poem itself begins with a pastoral image of laurels and myrtles, "symbols of poetic fame; as their berries are ...
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