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Film speed is used in the exposure equations to find the appropriate exposure parameters. Four variables are available to the photographer to obtain the desired effect: lighting, film speed, f-number (aperture size), and shutter speed (exposure time). The equation may be expressed as ratios, or, by taking the logarithm (base 2) of both sides ...
The metering system can keep the shutter open for up to 30 seconds. Without a battery to power the meter, the shutter defaults to its top speed of 1/500 second. The Electro 35 G was introduced in 1968 with largely cosmetic changes. The range of usable film speeds was increased up to 500 ASA.
The Nikon 35Ti (1993) and Nikon 28Ti (1994) are luxury titanium-clad point and shoot cameras that were produced by Nikon, equipped with a high-quality lens and body, competing with similar luxury compact cameras produced during the Japanese bubble-economy era, including the Contax T line, Konica Hexar, Leica minilux, Minolta TC-1, Ricoh GR series, and Rollei QZ 35W/35T.
The red dot indicated f 6.3. These exposure suggestions are based on ASA 10 (not 100!) film which in 1954 was still the standard film for color slides just as it had been when the Realist was introduced. The recommended setting for bright sun was a shutter speed of 1/50th with an aperture of f 6.3. [citation needed]
With a legacy of more than 100 years, the Better Business Bureau (BBB) is the go-to watchdog for evaluating businesses and charities. The nonprofit organization maintains a massive database of ...
35 mm film is a film gauge used in filmmaking, and the film standard. [1] In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film , which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide.
The Leica minilux is the first in a series of four luxury titanium-clad point and shoot cameras that were produced by Leica Camera starting from 1995; it is equipped with a high-quality lens and body to compete with similar premium compact cameras produced during the Japanese bubble-economy era, including the Contax T line, Konica Hexar, Nikon 28Ti/35Ti, Minolta TC-1, Ricoh GR series, and ...
The film format is similar to the super 8 mm format, but without the Polavision tabletop viewer the only way a Polavision film can be shown is by destroying the cartridge and projecting the removed film with an ordinary super 8 mm projector or transferring it to video with a telecine system.
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