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Intertitle of the 1954 version of The House in the Middle, selected for preservation in the National Film Registry. The House in the Middle is the title of two American documentary film shorts (13 minutes), respectively from 1953 and 1954, which showed the effects of a nuclear bomb test on a set of three small houses.
The Kerrs worked together on several projects, including a 1946 adaptation of the novel, The Song of Bernadette. [10] They contributed lyrics and sketches to the musical Touch and Go, and co-authored Goldilocks (1958), a Broadway musical comedy about the early days of silent film that ran from October 11, 1958, to February 28, 1959, and won two Tony Awards, for Best Actress in a Featured Role ...
It was founded in 2005 by Hugh McGuire to provide "Acoustical liberation of books in the public domain" [2] and the LibriVox objective is "To make all books in the public domain available, for free, in audio format on the internet". [3] [independent source needed]
The House Across the Lake (U.S. title: Heat Wave) is a 1954 British film noir crime film directed and written by Ken Hughes and starring Alex Nicol, Hillary Brooke, Sid James and Susan Stephen. [1] It was produced as a second feature [2] by Hammer Films. It was released in the United States by Lippert Pictures.
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Alfred Bester (December 18, 1913 – September 30, 1987) was an American science fiction author, TV and radio screenwriter, magazine editor and scriptwriter for comics. He is best remembered for his science fiction, including The Demolished Man, winner of the inaugural Hugo Award in 1953.
She edited The House Beautiful/AIA Climate Control Project, [5] and wrote several articles on climate control for the magazine. [6] She was married to Carl Norcross, "an authority on town planning." [7] The couple's 1941 residence in Dobbs Ferry, New York, was designed by architect Julius Gregory. [8]
"The House in Cypress Canyon" is an episode of the American radio series Suspense. Written by Robert L. Richards, produced and directed by William Spier, this episode is consistently cited [1] as one of the most terrifying programs broadcast during radio's Golden Age. It was originally broadcast December 5, 1946.
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