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In the song's lyrics, originally written in Spanish creole, the singer wonders aloud what to do with a statue of Babalú Ayé, now that a Santería rite had been invoked by others. [1] He suggests that seventeen candles be lit up, in the shape of a cross , and that a cigar and aguardiente be brought to him, as to pay homage to the deity.
"Electrica Salsa", also titled "Electrica Salsa (Baba Baba)", is a 1986 song by the group Off, featuring German DJ and singer Sven Väth and future Snap! producers Michael Münzing and Luca Anzilotti. It was the first single from his album Organisation for Fun on which it appears as fourth track in its single version and a
Utku Cihan Yalçınkaya (Turkish pronunciation: [ʊtˈku d͡ʒiˈhan jɑɫt͡ʃɯnkaja]; born August 30, 1998), better known by his stage name Uzi, is a Turkish rapper and songwriter.
"Baba O'Riley" is a song by English rock band the Who, written by guitarist and principal songwriter Pete Townshend. It is the opening track to the Who's fifth studio album, Who's Next (1971). In Europe, it was released as a single in October 1971, coupled with " My Wife ".
"Ya Baba" is a 2016 bilingual song in English and Arabic by Pakistani British artist Zack Knight featuring Rami Beatz. It is largely based on Tunisian singer Saber Rebaï's Arabic song "Sidi Mansour" in which it samples. Zack Knight wrote the additional lyrics. It was produced by Rami Beatz and Dot Da Genius and copyrighted to Quantize Music LLC.
In addition to Turkish, Ezhel also speaks the basics of the northern Kurdish language Kurmanji, and he incorporates Kurdish lyrics and themes into his songs, often referencing Kurdishness and his cultural identity. At the age of 12, Ezhel developed an interest in rap music. By 15, he dropped out of high school to pursue his passion for music.
"Chi-Baba, Chi-Baba (My Bambino Go to Sleep)" is a popular song written by Mack David, Jerry Livingston, and Al Hoffman, and published in 1947. [ 1 ] Background
Bhaba Pagla's songs are referred to by his devotees as spiritual songs for self-realization (sadhana sangit). The themes and the styles covered by his songs are numerous, drawing from various popular and religious repertoires of his time. His lyrics are profound and metaphorical, [5] but also witty and humorous.