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One of the primary elements in house dancing is "the jack" or "jacking" — a style created in the early days of Chicago house that left its trace in numerous record titles such as "Time to Jack" by Chip E. from the "Jack Trax" EP (1985), "Jack’n the House" (1985) by Farley "Jackmaster" Funk (1985) or "Jack Your Body" by Steve "Silk" Hurley ...
Disco Demolition Night was a Major League Baseball (MLB) promotion on Thursday, July 12, 1979, at Comiskey Park in Chicago, Illinois, that ended in a riot.At the climax of the event, a crate filled with disco records was blown up on the field between games of the twi-night doubleheader between the Chicago White Sox and the Detroit Tigers.
Derrick Carter, born on October 21, 1969, in Compton, California, and later becoming a pivotal figure in Chicago's music scene, embarked on his DJing journey at the tender age of 10. Growing up amidst the diverse influences of punk, R&B, disco and house, Carter developed a unique sound that would later define his career.
Admission was five dollars and the club offered free juice and water to dancers. In the middle floor is where DJ Knuckles began to experiment with editing disco breaks on a reel-to-tape recorder. This mixing would soon become the beginnings of the house music genre. [5] The Warehouse became a hub for the people of Chicago, specifically black ...
According to Mike Stahl, Chicago's live audio engineer at the time, members of Chicago's rhythm section–Robert Lamm, Donnie Dacus, Peter Cetera, and Danny Seraphine–came into the studio, started jamming, and played what they thought was a run-through of "Alive Again" but which producer Phil Ramone had recorded. Despite recording the rhythm ...
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Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980.
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
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