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Itzamná (Mayan pronunciation: [it͡samˈna]) is, in Maya mythology, an upper god and creator deity thought to reside in the sky. Itzamná is one of the most important gods in the Classic and Postclassic Maya pantheon. [1] Although little is known about him, scattered references are present in early-colonial Spanish reports (relaciones) and ...
This is a list of deities playing a role in the Classic (200–1000 CE), Post-Classic (1000–1539 CE) and Contact Period (1511–1697) of Maya religion. The names are mainly taken from the books of Chilam Balam, Lacandon ethnography, the Madrid Codex , the work of Diego de Landa , and the Popol Vuh .
The Maya kings also offered their own blood to the gods. The rulers were also expected to have a good mind to solve problems that the city might be facing, including war and food crises. Maya kings were expected to ensure the gods received the prayers, praise and attention they deserved and to reinforce their divine lineage. [1]
Susan Milbrath, Star Gods of the Maya. University of Texas Press, Austin 1999. S.W. Miles, The Sixteenth-Century Pokom-Maya. The American Philosophical Society, Philadelphia 1957. Mary Miller and Karl Taube, An Illustrated Dictionary of the Gods and Symbols of Ancient Mexico and the Maya. Thames and Hudson, London 1993.
The music of the ancient Mayan courts is described throughout native and Spanish 16th-century texts and is depicted in the art of the Classic Period (200–900 AD). The Maya played instruments such as trumpets, flutes, whistles, and drums, and used music to accompany funerals, celebrations, and other rituals.
The first among the Maya death gods ruling Xibalba were Hun-Came ("One Death") and Vucub-Came ("Seven Death"), though Hun-Came is the senior of the two. [ 7 ] [ 8 ] The remaining ten Lords are often referred to as demons and are given commission and domain over various forms of human suffering: to cause sickness, starvation , fear, destitution ...
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This is conceptualized in a kind of monistic pantheism [2] as manifest in the supreme god Ometeotl, [3] as well as a large pantheon of lesser gods and idealizations of natural phenomena such as stars and fire. [4] Similar concepts to teotl existed elsewhere in Mesoamerica at the time of the conquest, such as in the Zapotec term pee or the Maya ...