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The Band Wagon is a 1953 American musical romantic comedy film directed by Vincente Minnelli, starring Fred Astaire and Cyd Charisse. It tells the story of an aging musical star who hopes a Broadway show will revive his career.
The cast of The Band Wagon (1953) L–R: Oscar Levant, Cyd Charisse, Jack Buchanan, Fred Astaire, and Nanette Fabray. Because of the success of An American in Paris (1951) and Singin' in the Rain (1952), Freed decided to produce another film adapting the musical catalogue of renowned composers. [132]
The cast included Fred Astaire, Adele Astaire, Helen Broderick, Tilly Losch, and Frank Morgan. [1] According to Steven Suskin, "very few people are around who saw The Band Wagon, but they all seem to insist that it was the finest Broadway revue ever."
Fabray in 1950. Nanette Fabray (born Ruby Bernadette Nanette Theresa Fabares; [1] October 27, 1920 – February 22, 2018) was an American actress, singer and dancer. She began her career performing in vaudeville as a child and became a musical-theatre actress during the 1940s and 1950s, acclaimed for her role in High Button Shoes (1947) and winning a Tony Award in 1949 for her performance in ...
Leroy Daniels was a shoeshine man who sang and danced as he worked, and whose act led to an appearance with Fred Astaire in the 1953 musical The Band Wagon. [1] It was the only time that Astaire danced on-screen with a black dancer. [2] Daniels' act also served as inspiration for the choreography of the scene in the film. [3]
She danced in several other films, including The Band Wagon (also 1953) and Demetrius and the Gladiators (1954). She also worked as a choreographer and dancer for Universal Studios beginning at the age of 19. [9] [10] Her first major role, billed as Julie Newmeyer, was as Dorcas, one of the brides in Seven Brides for Seven Brothers (1954).
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The song was published in 1952 and was written especially for the 1953 Metro-Goldwyn-Mayer musical film The Band Wagon. The song is performed in the film by Jack Buchanan supported by Fred Astaire, Nanette Fabray, and Oscar Levant. In 2004, the song finished at number 45 in AFI's 100 Years...100 Songs survey of top tunes in American cinema. [2]