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Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
The six-part fugue in the "Ricercar a 6" from The Musical Offering, in the hand of Johann Sebastian BachIn classical music, a fugue (/ f juː ɡ /, from Latin fuga, meaning "flight" or "escape" [1]) is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches ...
BWV 577 – Fugue in G major "à la Gigue" (spurious) BWV 578 – Fugue in G minor "Little" BWV 579 – Fugue on a theme by Arcangelo Corelli (from Op. 3, No. 4); in B Minor; BWV 580 – Fugue in D major (spurious) BWV 581 – Fugue in G major (not by Bach, composed by Gottfried August Homilius) BWV 581a – Fugue in G major (spurious)
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
For example, the note "e", first string open, may be played, or "registered" on any string. The guitarist often has choices of where to "register" notes on the guitar based on: Ease of fingering. Beginners learn the open, first position before anything else and might be more comfortable registering notes on open strings in the first position.
The Fugue in G minor is a musical composition, possibly for the lute, written by Johann Sebastian Bach shortly after he moved from Köthen to Leipzig in 1723. Today the piece is typically played on the guitar .
Johann Sebastian Bach, the composer of Prelude and Fugue in D major. Johann Sebastian Bach's Prelude and Fugue in D major, BWV 532.2 (previously 532), [1] is a prelude and fugue written for the organ c. 1710. [2] BWV 532.1 (previously 532/2a) is an earlier version of the Fugue. [3]
The fugue theme, like that of the prelude, is composed of arpeggiated chords and downward sequences, especially in its later half. Due to the sequential nature of the subject, the majority of the fugue is composed of sequences or cadences. The Fugue ends in one of Bach's most toccata-like, virtuosic cadenzas in the harmonic minor.
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