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Cultures of Porcelain in World History. University of California Press ISBN 978-0-520-24468-9; Ford, Barbara Brennan, and Oliver R. Impey, Japanese Art from the Gerry Collection in The Metropolitan Museum of Art, 1989, Metropolitan Museum of Art, fully online; Kessler, Adam Theodore (2012). Song Blue and White Porcelain on the Silk Road. Brill.
Marazzi design, manufacturing and distribution of ceramic tiles, Italy This page was last edited on 26 October 2024, at 13:51 (UTC). ...
Delftware forms part of the worldwide family of blue and white pottery, using variations of the plant-based decoration first developed in 14th-century Chinese porcelain, and in great demand in Europe. Delftware includes pottery objects of all descriptions, such as plates, vases, figurines and other ornamental forms and tiles. The style ...
Exotic blue-and-white designs from China were particularly prized by Dutch and European elites. The decline of the Ming dynasty following the death of the Wanli Emperor negatively impacted Sino-Dutch trade, including earthenware, to the extent that Dutch merchants decided the only solution was to produce such objects locally.
Italian maiolica reached an astonishing degree of perfection in this period. In Romagna, Faenza, which gave its name to faience, produced fine maiolica from the early fifteenth century; it was the only significant city in which the ceramic production industry became a major part of the economy. [19] Bologna produced lead-glazed wares for export.
Hard-paste porcelain was invented in China, and it was also used in Japanese porcelain.Most of the finest quality porcelain wares are made of this material. The earliest European porcelains were produced at the Meissen factory in the early 18th century; they were formed from a paste composed of kaolin and alabaster and fired at temperatures up to 1,400 °C (2,552 °F) in a wood-fired kiln ...
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