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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Sachchidananda Hirananda Vatsyayan (7 March 1911 – 4 April 1987), popularly known by his pen name Agyeya (also transliterated Ajneya, meaning 'the unknowable'), was an Indian writer, poet, novelist, literary critic, journalist, translator and revolutionary in Hindi language. He pioneered modern trends in Hindi poetry, as well as in fiction ...
Indian poetry and Indian literature in general, has a long history dating back to Vedic times. They were written in various Indian languages such as Vedic Sanskrit, Classical Sanskrit, Ancient Meitei, Modern Meitei, Telugu, Tamil, Odia, Maithili, Kannada, Bengali, Assamese, Hindi, Marathi and Urdu among other prominent languages.
Sadhukkari (Devanagari: सधुक्कड़ी) was a vernacular dialect of the Hindi Belt of medieval North India, and a mix of Hindustani, Haryanvi, Braj Bhasha, Awadhi, Marwari, Bhojpuri and Punjabi, hence it is also commonly called a Panchmel Khichri. [1] [2] Since it is simpler, it is used in adult literacy books or early literacy books.
Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called Kavya (or Kāvya; Sanskrit: काव्य, IAST: kāvyá).The Ramayana and the Mahabharata, which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic ...
She significantly impacted Hindi literature by refining the language and infusing poetry with heartfelt acceptance of Indian philosophy. Her unique blend of emotional intensity, lyrical simplicity, and evocative imagery, along with her contributions as a translator and scholar, solidified her position as a leading figure of the Chhayavad movement.
Like most contemporary Indian writers, Ugra was committed to promoting both social reform and Indian independence from the British Empire. [5] In the words of Ruth Vanita, "he delighted in iconoclasm; few writers of the time match his unsentimental depictions of the family, whether urban or rural, as a hotbed of violence, neglect, hatred, sexual depravity, and oppression"; [6] "his fiction ...
Amarkant was one of the few writers who stuck to the ‘social realistic' tradition of Premchand. Literary critics like Dr Vishwanath Tripathi consider his short stories to be in the lineage of Premchand's later works, particularly his masterpiece Qafan (The Shroud), which is a compactly crafted tale of a Dalit family.