Search results
Results from the WOW.Com Content Network
The poem also emphasizes the idea that the divine exists both inside and outside of oneself, and that one's judgment and salvation are dependent on their relationship to the divine. It offers a unique perspective on the nature of the divine and the individual's relationship to it, and it highlights the idea of duality and the interconnectedness ...
The perception of the divine feminine was radically altered by two texts: the earlier Devi Mahatmya and the later Devi Bhagavata Purana. [18] The Devi Mahatmya, which was initially part of the Markandeya Purana, is the most prominent goddess-centric text that clarified the concept of an all-encompassing goddess or the Mahadevi (great goddess). [18]
Rather, it is the eternal or divine which reveals itself in the feminine," van der Laan concludes: "As the symbolic representation of divine wisdom and creative power, the Eternal-Feminine can never be grasped or possessed. Beyond all human reach and comprehension, the eternal and divine always draws Faust and humanity onward toward itself." [10]
In poetry, 9th-century Andal became a well known Bhakti movement poetess, states Pintchman, and historical records suggest that by 12th-century she was a major inspiration to Hindu women in south India and elsewhere. [135] Andal continues to inspire hundreds of classical dancers in modern times choreographing and dancing Andal's songs. [139]
Devotional songs and poems that extol the motherly nature of Kali are popular in Bengal, where she is most widely worshipped as the Divine Mother. Shakta and Tantric traditions additionally worship Kali as the ultimate reality or Brahman. [9] In modern times, Kali has emerged as a symbol of significance for women. [2]
And Still I Rise is Maya Angelou's third volume of poetry. She studied and began writing poetry at a young age. [1] After her rape at the age of eight, as recounted in her first autobiography, I Know Why the Caged Bird Sings (1969), she dealt with her trauma by memorizing and reciting great works of literature, including poetry, which helped bring her out of her self-imposed muteness.
The Legend of Good Women is a poem in the form of a dream vision by Geoffrey Chaucer during the fourteenth century.. The poem is the third longest of Chaucer's works, after The Canterbury Tales and Troilus and Criseyde, and is possibly the first significant work in English to use the iambic pentameter or decasyllabic couplets which he later used throughout The Canterbury Tales.
"It is a beauteous evening, calm and free" is a sonnet by William Wordsworth written at Calais in August 1802. It was first published in the collection Poems, in Two Volumes in 1807, appearing as the nineteenth poem in a section entitled 'Miscellaneous sonnets'.