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The score below shows the first four measures of the C-major prelude from J.S. Bach's The Well-Tempered Clavier, Book 1.Letter (a) presents the original score while (b) and (c) present reductions (simplified versions) intended to clarify the harmony and implied voice leading, respectively.
An early example of medieval voice-crossing can be found in what Richard Taruskin (2009, p. 394) calls “English twinsongs.” “These songs, among the earliest polyphonic vernacular settings to survive in any language, employ a more sophisticated sort of voice-leading, through contrary motion and voice crossings.” [16] Edi beo Edi beo
An example is ɷ for standard [ʊ]. Several symbols indicating secondary articulation have been dropped altogether, with the idea that they should be indicated with diacritics: ʮ for z̩ʷ is one. In addition, the rare voiceless implosive series ƥ ƭ 𝼉 ƈ ƙ ʠ has been dropped.
4 can be analyzed in two ways: the first labels it as a second-inversion chord, while the second treats it instead as part of a horizontal progression involving voice leading above a stationary bass. In the first designation, the cadential 6 4 chord features the progression: I 6 4-V-I. Most older harmony textbooks use this label, and it can be ...
In the example on the top right, we see a series of quartal chords in parallel motion, in which the intervallic relationship between each consecutive chord member, in this case a minor second, is consistent. Each note in the chord falls by one semitone in each step, from F, B ♭, and E ♭ in the first chord to D, G, and C in the last.
For example, the English suffix -s is pronounced [s] when it follows a voiceless phoneme (cats), and [z] when it follows a voiced phoneme (dogs). [1] This type of assimilation is called progressive , where the second consonant assimilates to the first; regressive assimilation goes in the opposite direction, as can be seen in have to [hæftə] .
Pages in category "Voice leading" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. ...
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