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Maciunas' Fluxus Manifesto, copies of which were thrown into the audience at the Festum Fluxorum Fluxus, Düsseldorf, February 1963. His father, Alexander M. Maciunas, was a Lithuanian architect and engineer who had trained in Berlin, and his mother, Leokadija, was a Russian-born dancer from Tiflis affiliated with the Lithuanian National Opera [3] and, later, Aleksandr Kerensky's private ...
Fluxus 1, 1964.This copy in the Archiv Sohm, Staatsgalerie Stuttgart. Fluxus 1 is an artists' book edited and produced by the Lithuanian-American artist George Maciunas, containing works by a series of artists associated with Fluxus, the international collective of avant-garde artists primarily active in the 1960s and 1970s.
Fluxus Manifesto, 1963, by George Maciunas Poster to Festum Fluxorum Fluxus 1963. Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product.
A collection of artworks made by artists associated with Fluxus, the international art movement started by George Maciunas in 1962. Pages in category "Fluxworks" The following 8 pages are in this category, out of 8 total.
Water Yam, First Edition, 1963. Water Yam is an artist's book [1] by the American artist George Brecht.Originally published in Germany, June 1963 [2] in a box designed by George Maciunas and typeset by Tomas Schmit, it has been re-published in various countries several times since.
Something Else was an early publisher of Concrete poetry and other works by Fluxus artists throughout the 1960s. During the 1960s in New York City some of the artists who worked at the Something Else Press included Editor-in-Chief Emmett Williams, artist Alison Knowles, poet Larry Freifeld, [1] [2] [3] novelist Mary Flanagan, artist Ronnie Landfield, [4] [5] and publisher/founder Dick Higgins.
In 1970 Filliou produced his 'multi-book' called Teaching and Learning as Performing Arts, it covers a great amount of the artist’s radical ideas on participatory art making and teaching. [2] Filliou worked together with artists such as Emmett Williams and George Brecht. In 1982, Filliou received the first Schwitters prize of the city of Hanover.
The first of these, "Nothing by Ray Johnson", was part of a weekly series of events in July 1961 at the AG Gallery, a venue in New York operated by George Maciunas and Almus Salcius; Yoko Ono's first solo show was on view in the gallery at the time. Ed Plunkett later recalled entering an empty room. "Visitors began to enter the premises.