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The works of William Gibson encompass literature, journalism, acting, recitation, and performance art. Primarily renowned as a novelist and short fiction writer in the cyberpunk milieu, Gibson invented the metaphor of cyberspace in "Burning Chrome" (1982) and emerged from obscurity in 1984 with the publication of his debut novel Neuromancer.
Gibson's prose has been analyzed by a number of scholars, including a dedicated 2011 book, William Gibson: A Literary Companion. [121] Hailed by Steven Poole of The Guardian in 1999 as "probably the most important novelist of the past two decades" in terms of influence, [54] Gibson first achieved critical recognition with his debut novel ...
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The Terror is a 2007 novel by American author Dan Simmons. [1] It is a fictionalized account of Captain Sir John Franklin's lost expedition, on HMS Erebus and HMS ...
Spook Country is a 2007 novel by speculative fiction author William Gibson.A political thriller set in contemporary North America, it followed on from the author's previous novel, Pattern Recognition (2003), and was succeeded in 2010 by Zero History, which featured much of the same core cast of characters.
The book is the only one in the trilogy that follows a single cohesive plot, with the sequels both featuring multi-strand narrative structures that culminate in the end. Count Zero consists of three major protagonists, and chapters alternate from one character's story to the next. The first of these is Turner, an ex-military mercenary.
Some appeared as forewords to books by other authors. Several speeches appear in written form for the first time. In "Disneyland with the Death Penalty", which originally appeared in a 1993 issue of Wired, Gibson reflects on the state of Singapore. Criticisms in the article resulted in the Singapore government banning Wired from the country. [3]
The construction of the book and the subject matter of the poem within it share a metaphorical connection in the decay of memory. [35] [36] In this light, critic Peter Schwenger asserts that Agrippa can be understood as organized by two ideas: the death of Gibson's father, and the disappearance or absence of the book itself. [37]