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"Lady Jane" is a song recorded by the English rock band the Rolling Stones. Written by the group's songwriting duo of Mick Jagger and Keith Richards, the song was initially included on the band's 1966 album Aftermath. [6] The song showcases Brian Jones' instrumental incorporation of baroque rock as it was beginning to be introduced. [3]
The original lineup consisted of multi-instrumentalist Brian Jones, lead vocalist Mick Jagger, guitarist Keith Richards, bass guitarist Bill Wyman, drummer Charlie Watts, and keyboardist Ian Stewart. Stewart was dismissed from the lineup in 1963 but continued to serve as their road manager and de facto keyboard player.
The Rolling Stones are an English rock band formed in London in 1962. Their first stable line-up included vocalist Mick Jagger, guitarist and vocalist Keith Richards, multi-instrumentalist Brian Jones, bassist Bill Wyman and drummer Charlie Watts.
The Rolling Stones have revealed the full track list of their first full album of original studio material since 2005, “Hackney Diamonds” — and the full list of guests. “Sweet Sounds Of ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 10 February 2025. English rock band This article is about the band. For the magazine, see Rolling Stone. For other uses, see Rolling Stone (disambiguation). The Rolling Stones The Rolling Stones performing at Summerfest in Milwaukee in June 2015. Left to right: Charlie Watts, Ronnie Wood, Mick Jagger ...
The Rolling Stones are back, and they're “Angry.” At least that is the title of the debut single from the band's new album, the first in 18 years to contain a dozen original songs. It's also ...
The Rolling Stones: Sound Opinions on the Great Rock 'n' Roll Rivalry (2010), Jim DeRogatis and Greg Kot agree that Aftermath is "the first really great Stones album beginning to end", with DeRogatis especially impressed by the British edition's first half of songs. [163] The pop culture author Shawn Levy, in his 2002 book Ready, Steady, Go!:
Because of its assorted compilation, Flowers was originally disregarded by some music critics as a promotional ploy aimed at American listeners. [5] Critic Robert Christgau, on the other hand, suggested that managers Andrew Loog Oldham and Lou Adler released the album as a "potshot at Sergeant Pepper itself, as if to say, 'Come off this bullshit, boys.