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Tláloc's impersonators often wore the distinctive mask and heron-feather headdress, usually carrying a cornstalk or a symbolic lightning bolt wand; another symbol was a ritual water jar. Along with this, Tláloc is manifested in the form of boulders at shrine-sites, and in the Valley of Mexico the primary shrine of this deity was located atop ...
Black is the foremost color associated with Tezcatlipoca, not only because of his role as a god of nighttime and darkness, but to differentiate him from the other three so-called Tezcatlipocas (Quetzalcoatl, Huitzilopoctli, and Xipe-Totec) and their respective colors (white, blue, and red). [6]
Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred.
[2] [24] Tlaloc, who had jurisdiction over agricultural fertility and crop outcomes, was one of the most significant and revered gods in Aztec religion and culture, and is depicted in this folio wearing his usual unique fanged mask and holding a lightning bolt in his right hand and a feathered shield in his left.
A small silver mask and a gold bell were found inside one urn, and second gold bell and two green stone beads were placed in the other. [25] Images of the gods Huehueteotl-Xiuhtecuhtli, together with Tlaloc, presided over most of the offerings found in the Templo Mayor. Representing fire and water respectively, this pair of deities probably ...
Mural of Tlālōcān, Tepantitla, Teotihuacan culture. Tlālōcān (Nahuatl pronunciation: [t͡ɬaːˈloːkaːn̥]; "place of Tlāloc") is described in several Aztec codices as a paradise, ruled over by the rain deity Tlāloc and his consort Chalchiuhtlicue.
For the reconsecration of Great Pyramid of Tenochtitlan in 1487, dedicated to Tlaloc and Huitzilopochtli, the Aztecs reported that they sacrificed about 20,400 prisoners over the course of four days. While accepted by some scholars, this claim also has been considered Aztec propaganda. There were 19 altars in the city of Tenochtitlan.
Four Chaacs are based in the cardinal directions and wear the directional colors. East, where the sunrise is, is red, North, mid-day zenith, is represented by white, West is represented by black for the sunset, and South is represented by yellow. There is a fifth color which is associate with the center point, and that is green. [1]