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Lord Guan is the patron of military personnel and police, while Mazu is the patron of fishermen and sailors. Tudigong (Earth Deity) is the tutelary deity of a locality, and each individual locality has its own Earth Deity. Chenghuangshen (City God) is the guardian deity of individual city, worshipped by local officials and locals since imperial ...
19th century engraving of the Colossus of Rhodes. Ancient Greek literary sources claim that among the many deities worshipped by a typical Greek city-state (sing. polis, pl. poleis), one consistently held unique status as founding patron and protector of the polis, its citizens, governance and territories, as evidenced by the city's founding myth, and by high levels of investment in the deity ...
The more colloquial Urdu word for love is pyar. In Urdu, ʻIshq' (عشق) means lustless love. [6] In Arabic, it is a noun. However, in Hindi-Urdu it is used as both verb and noun. In Modern Arabic the usual terms used for romantic love are habba and its derived forms hubb, habib, mahbub, etc. [2]
Xōchipilli [ʃoːt͡ʃiˈpilːi] is the god of beauty, youth, love, passion, sex, sexuality, fertility, arts, song, music, dance, painting, writing, games, playfulness, nature, vegetation and flowers in Aztec mythology. His name contains the Nahuatl words xōchitl ("flower") and pilli (either "prince" or "child") and hence means "flower prince".
The word holds a special importance in Islamic spiritual life and it is used with various meanings, which relate to its different functions, which include: “next of kin, ally, friend, helper, guardian, patron, and saint.” [7] The eternal prophetic reality has two aspects: exoteric and esoteric.
'Athtar is the god associated with the planet Venus and was the most common god to south Arabian cultures. He is a god of thunderstorms and natural irrigation. As Athtar was considered remote, worship was usually directed to the patron deity of a kingdom/culture. Attested [a] A'im A'im is a god who was worshipped by the Azd of al-Sarah. [7 ...
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...
Abū-Sa'īd Abul-Khayr (967–1049, buried in Miana, Turkmenistan, poet who innovated the use of love poetry to express mystic concepts) Abu al-Abbas al-Mursi (1219–1287, buried in Anfoushi, one of the four master saints of Egypt) Abul Hasan Hankari (1018–1093, buried in Baghdad, noted scholar and miracle worker)