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Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds: Save that from yonder ivy-mantled tow'r The moping owl does to the moon complain Of such, as wand'ring near her secret bow'r,
Rev. Charles Warr (right) with the Duke of York (centre) and Sir Francis Grant, Lord Lyon King of Arms (left) and proceeding to St Giles' Cathedral in 1933. Charles Laing Warr [1] KCVO [2] FRSE (1892–1969) was a Church of Scotland minister [3] [4] and author [5] in the 20th century.
The hazy scene of Impression, Sunrise strayed from traditional landscape painting and classic, idealized beauty. Paul Smith suggested that with this style, Monet meant to express "other beliefs about artistic quality which might be tied to the ideologies being consolidated by the emergent bourgeoisie from which he came."
It is indeterminate whether the speaker's despair is inspired by the landscape or whether the ominous appearance of the landscape is a projection of the speaker's despair. Scholar Sharon Cameron, however, notes in Lyric Time: Dickinson and the Limits of Genre that the poem enacts both of these impressions, expressing how interior changes may be ...
Lissoy has "now and for nearly a century [been] known as Auburn" and is "so marked on the maps" (ibid.). For a similar claim regarding Auburn in County Westmeath as the Auburn of Goldsmith's The Deserted Village, see J. Stirling Coyne and N.P. Willis's The Scenery and Antiquities of Ireland published c. 1841 (Vol. 1, Chap. 4). Others speculate ...
The scholar George Hart wrote in 2001: "'Shine, Perishing Republic' stands as an example of Jeffers' free-verse poetics at their most muscular and vital. Against the experimentalism of his Modernist contemporaries, Jeffers demonstrates the power of rhetoric and direct statement to express complex emotion and political protest."
Flecker's poem The Golden Journey to Samarkand was published in 1913, but only found its larger context when his play, Hassan, was published.. Hassan (The Story of Hassan of Bagdad and How He Came to Make the Golden Journey to Samarkand) [9] is a five-act drama in prose with verse passages.
Cynthia Ozick was born in New York City. The second of two children, Ozick was raised in the Bronx by her parents, Celia (née Regelson) and William Ozick. They were Jewish immigrants from Russia, and proprietors of the Park View Pharmacy in the Pelham Bay neighborhood.