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Vahagn the Dragonslayer engraving by Josef Rotter. [citation needed]Vahagn is mentioned in a number of Classical Armenian written sources. [4] For example, in the history attributed to Agathangelos, Armenian king Tiridates III evokes the triad of Aramazd, Anahit and Vahagn in a greeting to his people: "May health and prosperity come to you by the help of the gods, rich fullness from manly ...
Bennu – self-creating bird deity; Chol – regenerative bird; Firebird – legendary bird with glowing eyes and feathers, brings misfortune if captured. Fenghuang – a phoenix who reigns over all other birds; Huma bird – a bird that flies too high to be seen and never lands; Konrul and Toghrul
Kalao: Bugkalot spirit birds; [6] depicted as red hornbills who guide and protect hunters and their soul [10] Kedes: the Aeta god of the hunt [11] Okot: the Bicolano forest god whose whistle would lead hunters to their prey [12] Paglingniyalan: the Tagalog god of hunters [2] Sugudun: also called Sugujun; the Manobo god of hunters and trappers [1]
Garuda is described as the king of the birds and a kite-like figure. [7] [8] He is shown either in a zoomorphic form (a giant bird with partially open wings) or an anthropomorphic form (a man with wings and some ornithic features). Garuda is generally portrayed as a protector with the power to swiftly travel anywhere, ever vigilant and an enemy ...
Ara the Handsome, a dying-and-rising agricultural deity; Aralez, winged dog-like creatures with the ability to resurrect the dead by licking wounds; Areg (Arev) or Ar, god of the Sun; Astłik, deity of fertility and love; Tsovinar, also known as "Nar of the Sea", goddess of waters and the ocean; Mihr, cognate with the Mithra and god of the sun ...
Kurangaituku is a supernatural being in Māori mythology who is part-woman and part-bird. [21] Lamassu from Mesopotamian mythology, a winged tutelary deity with a human head, the body of a bull or a lion, and bird wings. Lei Gong, a Chinese thunder god often depicted as a bird man. [22] The second people of the world in Southern Sierra Miwok ...
In Indian art, this vision of ideal couple is derived from Shiva and Parvati as being half of the other, represented as Ardhanarishvara. [ 36 ] [ 37 ] [ 38 ] Parvati is found extensively in ancient Indian literature, and her statues and iconography grace ancient and medieval era Hindu temples all over South Asia and Southeast Asia .
The effect that seeing a deity's melam has on a human is described as ni, a word for the "physical creeping of the flesh". [5] Both the Sumerian and Akkadian languages contain many words to express the sensation of ni, [4] including the word puluhtu, meaning "fear". [5]